![]() ![]() There are only several shifts and it seems that the syncopation allows for these shifts to notice. These shifts occur in the song after the established melody and rhythm of the song is played through, about 20-30 seconds into the song. As this song progresses and plays different melodies, you can hear the shift of the different melodies being played. The aspect of syncopation can be analyzed throughout the whole song as well, and may very well be the most important aspect of this piece as a whole. As this piece moves through time, the off beat playing of the melody and the accompaniment stay structured, meaning the stressed beats do not fall together. As established with rag time songs, the general structure is typically consisting of the left hand playing a melody and the right hand accompanying that melody. There is no build up as the song begins, he jumps right into the continuous tempo and meter heard throughout the song from start to finish.Īs well as establishing the tempo of the song from the beginning, an important characteristic established during this song is the repetition of off beat melodic phrasing. ![]() As this song starts off from the first note, Joplin doesn’t hesitate to establish the tempo and the overall element of time. ![]() This piece is remarkable in the fact that only one person is playing the piano, for the entire song. Joplin was deemed the “King of Ragtime” after releasing this piece, as he made incredible amounts of money off of this song. This song preformed by Joplin on the piano became a template for the composers of rag music in the years to come.
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